Original Work

 

CHORAL

Music to Hear (2019) for SATB divisi, piano, and solo violin (6’03’’)

[Finalist, 2019 Stephen Paulus Emerging Composer Competition]

give me your tired, your poor (2019) for SATB divisi, a capella (4’33’’)

[Winner, 2019 Capital Hearings Young Composers’ Contest]

We Two Boys (2018) for SATB divisi, a capella (4'50'')

Go, Lovely Rose (2018) for SATB divisi, a capella (5’25’’).

The Harper’s Song (2017) for SATB chorus, 2 keyboards, guitar, bass, & drum kit (3’).

The Rest Is Silence (2017) for SATB divisi, a capella (6’).

[Winner, Cantate Chamber Singers’ 11th Biennial Young Composers’ Contest]

Ave Maria (2014) for SATB divisi, a capella (5’).

 

WORK FOR STAGE

• Composed original music for TheatreOCU’s production of The Crucible, directed by Dr. Lance Marsh.  The Crucible received four performances in the Berg Theater at Oklahoma City University, from October 26th, 2016 through October 29th, 2016.

• Composed original music for TheatreOCU’s production of As You Like It, directed by Stephen Wrentmore.  As You Like It received six performances in the Berg Theater at Oklahoma City University, from April 7th 2016 through April 10th 2016.

• Composed original music for TheatreOCU’s production of The Marriage of Bette & Boo, directed by William Robert Lowe.  The Marriage Of Bette & Boo received five performances in the Black Box Theater at Oklahoma City University, from November 20th 2014 through November 23rd 2014.

 

 

ORCHESTRAL

The Puppies Are Loose!  The Puppies Are Loose! (2018) for symphony orchestra (4’30’’).

There Will Come Soft Rains (2017) for symphony orchestra (12’30’’).

[Winner, Oklahoma Youth Orchestra’s 2017 Composer-In-Residence Competition]

A Turbulent Journey [through my dream journal] (2016) for symphony orchestra (4’50’’).

CHAMBER

February (2014-2017) for piano quintet (11’).

A ‘Lil Game Of Cat & Mouse [Attempt #4962] (2017) for Bb clarinet & percussion (4’45’’).

I’m Ready: A SpongeBob Song Cycle (2015)    for three sopranos and piano (13’).

 

WORK FOR FILM

• Composed underscore for the short film Gone Away, directed by Veronica St. Clair and Melanie Abernathy.  The score for the 30-minute film was completed in May of 2016, and the short is currently in post-production.